Surrealism Art Essay Example for Free

Surrealism Art EssaySurrealism is an international art movement, which draws from the depths of the subconscious mind and explores the human psyche. Frenchman Andre Breton, who described Surrealism as pure automatism by which it is intended to express the confessedly function of thought, championed surrealism in the late 1920s. In this finis of time, the world was inflicted with the two major wars, that filled humanity with horror and unimaginable terror. or so artists of this period were chosen illustrate these horrors by representing a psychedelic of images from the human mind or to markk an altered creation, which created the intellectual playground to these artists, as it make the philosophical argument of what is real and un-real. Surrealism is characterised by fantastic imagery and incongruous juxtaposition of subject matter, using a fascination with the subconscious mind. It is a slip of Fantasy art that defines a psychological element, attempting to create artworks that explore the artists perception of their dreams, fears and imaginings.In turn, Surrealist artists attempt to represent their visions, by Looking through and creating an altered reality. This period of art dominated the art world during the period just before the Second World War, but still is current in the Postmodern world, go along to flourish in its personal approach to representing the imagination. Surrealism What is surrealism? In my opinion. It is above all a reawakening of the poetical idea in art, the reintroduction of a subject but in a particular sense, that of st execute and illogical. (Paul Delvaux)This quote is relevant when referring to the artist James Gleeson, as he explores the depths of the human subconscious mind, while creating his own fanciful world. He achieves this through the juxtaposition of seascapes with living organisms, self-portraits from the human fertile mind and the horror of social concerns through distorted imagery. Gleeson works mainly within a subjective context, where highly emotive photos are drawn from the inner self . Gleeson paints to understand the difficulties faced with the stress and questions unknown in the modern world.James Gleeson is known as one of Australias major painter and important poetic art critic. In his long-lasting career that blossomed from the late 1930s to the 1960s, Gleeson wrote the first text in Australia that defined the meaning of Surrealism, and was known as Australias leading Surrealist artist.. While working within a subjective context, playd by Salvador Dali, Gleesons overriding impression behind his work is that humanity is driven by the subconscious mind.Gleeson preferred to work in artificial light and avoided working in cheerfulness so that he was to paint his dreams and surreal landscapes in a more imaginative way. While the application of painting oil on canvas with sumptuous textures of paint with a mixture of translucent glazes and rich encrustations, runs his vi ewing audience, Gleesons works inspires the imagination of the viewer. In relevance to the quote the reintroduction of a subject in a particular sense Gleesons works encourage his viewers to look through and beyond Surrealists artists concept of what is reality, and not only, the imagination of the subconscious mind.Gleeson presents his viewers with a number of observations so vivid in concentration, in order to tap into our own secret fears the fear of the unknown. We in consumption the corrosive littoral of habit is presented with geological features of by a secluded beach. In which a mans facial features and womans naked torso dissolve, revealing inconstancy inside the figures. It was painted in 1940, just after joined Sydneys Contemporary Art Society, where Gleeson became fascinated with the writings of famous psychologists, for which became major intellectual influences for his works.We reside the corrosive littoral of habit is in a traditional subjective context, with a hist orical form, as Gleesons metaphor for the dissolving figures in this small-arm, represents the corrosion of the world and the human mind between the world wars. Gleeson, like in almost all of his dapples, uses the method of abstraction to increase the sense of his altered reality and reawaken his audience to his subject matter. He has achieved this through his geometric composition of shapes, for which the placing of the objects is deliberate, yet absurd.The large scaled landscape and close up confrontation of figures attract the viewer. He has used a saturated balance of colours as a visual sensation for his viewers, heightening a realistic feel, but destroying it with the damage figures. This is a direct relationship in the work between Gleesons subjective context as well as the terror of his historical outlook. This painting is an example of how Gleeson encourages his viewers to look through the painting and into the depths behind his altered reality of the horrors of war and the human fertile mind.We inhabit the corrosive littoral of drug abuse 1940 oil on canvas 40. 7 x 51. 3 cm National Gallery of Victoria, Melbourne Anonymous gift, 1941 Courtesy of the artist In Gleesons piece The Arrival of Implacable gifts, he quotes that The sea deposits all these things that were longed for, that turn out to be things that blind us or even destroy us. Gleesons underlining message lies with the reintroduction of a subject in a particular sense of what draws from the subconscious mind for depicting reality.While a seascape rocky margin is represented, it is place with human-like organisms presented in this artwork. This painting was painted in 1985, oil on canvas, in the stage where Gleeson had moved to making large scale Psychoscape paintings. These workings had been a way of showing liquid, solid and air coming together directly implying the interface between the conscious and subconscious mind. The arrival of implacable gifts represents a range of distorted rocks, monsters and shells in a twisting state of metamorphosis.The imagery of this painting is abstractly beautiful yet horrific, denoting a sprightliness of uncertainty for the viewers, and promotes a dialog with the unimaginable. He achieves this through the use of variance in contrasting colours of earthy tones. The deep space of softened green clouds hovering over the horizon juxtaposed with the swarming mass of rocks and monsters, of diluted earthy reds and browns, allowing his audiences eyes to drift throughout the painting into the imagination of the viewer.He has used a rhythmic texture in the piece helping to heighten and guide the surrealistic feeling of a dreamlike scenario. Instead of engaging his viewers to look at or in the painting, he creates a strange and illogical scenario to reawaken his audience to look through his altered reality. The Arrival of Implacable Gifts 1985 oil on canvas 198 x 245 cm Art Gallery of New South Wales Sydney Gleeson/OKeefe Foundation My Body of Work has and will continue to explore the concept of looking through. Studying the altered realities of dreams, fears and imaginative has helped shaped my artist practice.Through James Gleesons outstanding talent of juxtaposing symbolic objects with the use of rhythmic texture, contrasting colours and abstracted landscapes, Gleeson has effectively helped influence in shaping my body of work. The use of juxtaposing objects with landscapes through the representing of these images with a range of gentle contrasting colours and translucent layering also has heightened the altered reality feeling in my works. The wide use of abstraction has also been an effective tool when creating more emotive works for my Body of Work.This has been a Direct influence from Gleeson, and he continues to inspire people all around the world with his outstanding reintroduction of a subject with the use of Surrealistic techniques. Gleeson has reawakened my views of Surrealism, to help paint from th e subconscious mind and see way beyond what is seen with your eyes, but what lies within the imagination. Surrealism is a word that is applied to those forms of creative art which are evolved, not from the conscious mind, but from the deeper sense of the subconscious.(James Gleeson) The subjective context denotes works that strongly reflect artists experiences, imaginings, feelings and psychological experience. For Gleeson, his artworks tends to explore his mood and imagery of the darker aspects of the world. Exploring the subconscious mind, and for that an altered reality in his eyes Gleesons work is considered so significant because he allows his artworks to have an emotional impact on his viewers. In relevance to the quote Surrealism What is surrealism? In my opinion.It is above all a reawakening of the poetic idea in art, the reintroduction of a subject but in a particular sense, that of strange and illogical. (Paul Delvaux), James Gleeson works with his poetic side to create a reintroduction to his altered realities for his viewers.ReferencesArt Gallery of New South Whales. (2000). James Gleeson- The arrival of unplaceable gifts. Retrieved 08 15, 2013, from New South Whales Art Gallery http//www. artgallery. nsw. gov. au/collection/works/225/1985 Donald WIlliams, C. S. (1970). Art Now- Contemporary Art. McGraw-Hill Book Company. Israel, L. (2000). Senior Artwise. Jacaranda.http//www.all-art.org/art_20th_century/gleeson3.html